Searching for Tomorrow: The Story of Madlib and DOOM’s Madvillainy

The label asked Madlib to re-do a few beats, but he said he forgot the sample sources. Then DOOM demanded to alter some tracks. Everyone grew frustrated. Compounding the anxiety, Alapatt, the project’s chief A&R, realized it lacked a legitimate ending. With less than a week left to turn the record into the distributor, they rented DOOM a $60-an-hour studio. Selecting the beat for “Rhinestone Cowboy”, the villain smashed in timely fashion.